Her first entrance while sleepwalking, through the audience and lit by a single spotlight, was rightly celebrated, although one feels it was something a camera angle (even a series of camera angles) can’t quite recreate fully. But we can imagine. And being so close for her spellbinding “Ah! non credea mirarti” certainly makes up for it.
Here’s a bit from Thalberg’s take on La Sonnambula, specifically Ah! non credea mirarti. Joseph Schmidt was the 20th century tenor who had everything needed for the bel canto repertoire. This rendition of Una furtiva lagrima was recorded live at his American debut in Carnegie Hall in 1937.
Her Amina works brilliantly on its own terms, touching in the long-breathed cantilena of Come per me sereno and Ah, non credea mirarti, and dazzling in the fireworks of Ah, non giunge. Dessay is.For the first time at the Paris Opera, Natalie Dessay sings one of the most beautiful roles of Italian romanticism. She embodies the modest and charming Amina, this sleepwalker who, escaping from her bedroom, becomes another person as the night falls. This opera by Bellini is a score written in daydream where melody seems to be suspended in time and the heroine's very soul rises to the surface.Natalie Dessay Juan Diego Florez Ah non credea mirarti La Shoebox Be Gone. La sonnambula dessay florez and florez Dessay And Florez Star In LA SONNAMBULA Opening. Bellini La. Deborah Voigt interviewes Natalie Dessay Juan Diego Florez macbeth act scene summary analysis essay.
Ah, non credea mirarti. Adelina Patti. Adelina Patti (1843-1919) remains one of the most famous sopranos in history due to the pure beauty of her lyric voice and the unsurpassed quality of her belcanto technique. Giuseppe Verdi was not alone in calling her the greatest vocalist that he ever heard. So remarkable was the spontaneity of her.
Zimmerman and Dessay made a few critical missteps that were indeed “too much.” As Amina entered sleepwalking in the final scene, she scrawled the word “Aria” on the rehearsal blackboard, a self-conscious gag that frustratingly undercut the intensely serious staging of “Ah! non credea mirarti” that followed. (After opening night.
Ah, non credea mirarti. Ah, non giunge. (Turkish translation) Artist: Vincenzo Bellini (Vincenzo Salvatore Carmelo Francesco Bellini) Featuring artist: Cecilia Bartoli Also performed by: Giuditta Pasta, Maria Malibran, Marilyn Horne, Maria Callas, Natalie Dessay, Anna Moffo, Diana Damrau, Marilyn Horne, Maria Callas, Natalie Dessay, Anna Moffo.
La sonnambula (The Sleepwalker): 'Ah! non credea mirarti' (Amina, Act II) Libretto: Felice Romani Giacomo Sagripanti, Orchestra Sinfonica di Milano Giuseppe Verdi, Coro Sinfonico di Milano Giuseppe Verdi, Pretty Yende (Soprano), Ilaria Sicignano (Mezzo-soprano), Piero Pretti (Tenor), Mattia Olivieri (Baritone), Carlo Lepore (Bass).
Listen to Vincenzo Bellini’s La sonnambula (The Sleepwalker): 'Ah! non credea mirarti' (Amina, Act II), performed by Massimo Freccia, Anna Moffo, Orchestra Sinfonica Nazionale della RAI. Discover and compare alternative recordings.
La sonnambula, a light, romantic opera in which romantic difficulties arise from the misinterpretation of the heroine's sleepwalking activities, was one of Bellini's finer triumphs. Exquisite vocal lines, asymmetrical but beautiful in their spontaneity and originality, are the hallmarks of this opera.
Find helpful customer reviews and review ratings for La Sonnambula at Amazon.com. Read honest and unbiased product reviews from our users.
In this elegiac universe, the arias sung by Amina, the kind-hearted young sleep-walker, are pure miracles of lunar poetry. For the first time at the Paris Opera Natalie Dessay sings one of the most beautiful roles of Italian romanticism.
La sonnambula, Metropolitan Opera, New York.. Ah! non credea mirarti” atop a platform that suddenly materialised over the orchestra pit. Finally she tripped back for a cutesy little dance for.
This masterful interpretation culminates with a sublime final scene that goes from the despair of 'Ah non credea mirarti' to the exultation of 'Ah non giunge'. This recording is certainly a fine addition to the discography of La Sonnambula, as well as a lovely memento of one of Natalie Dessay's signature roles.